Katrina Sedgwick is the Director and CEO of the Australian Centre for the Moving Image (ACMI), a major national cultural institution located at Melbourne’s iconic Federation Square. Previously, she has been the head of arts for ABC TV and ABC Arts online, and the founding director and CEO of the Adelaide Film Festival.
Artshub interview with Angela Tiatia
Angela Tiatia on gaming, diversity and winning the Ian Potter Moving Image Commission
Artshub speaks with New Zealand-Australian artist Angela Tiatia about the ideas driving her new work for IPMIC. Read more
Final Ian Potter Moving Image Commission awarded
Angela Tiatia awarded IPMIC 2022
The final in a decade-long series of $100,000 Ian Potter Moving Image Commissions (IPMIC) for new moving image works by Australian artists, has been awarded to Sydney-based paint, sculpture, video installation, and performance artist Angela Tiatia.
Tiatia has been awarded the prize from a field of impressive candidates vying for the prestigious visual art commission – an initiative of The Ian Potter Cultural Trust (IPCT) and ACMI. The commission will make possible Tiatia’s new video work, Liminal Persuasions (working title), which will have its world premiere at ACMI in 2022 and enter the ACMI Collection.
The IPMIC Judging Panel comprises experts including curators, visual artists, filmmakers and producers.
Stephen is a creative director and commissioning producer focussing on interdisciplinary and international collaborations. He is founding Director of Asia TOPA: Asia-Pacific Triennial of Performing Arts. He was appointed inaugural Chair of Australia Council’s New Media Arts Fund.
Santilla Chingaipe is a journalist and filmmaker whose work explores migration, cultural identities and politics. Chingaipe is a regular contributor to The Saturday Paper and serves as a member of the Federal Government’s Advisory Group on Australia-Africa Relations (AGAAR).
She was recently recognised at the United Nations as one of the most influential people of African descent in the world.
Craig is an accomplished financier and businessman, now dedicated to contributing to the community sector. He spent 25 years working in a variety of roles in the Australian financial services sector. An experienced business analyst and successful manager, his professional strengths lie in research innovation, industry analysis, technical expertise and strong communication skills. Craig has also been an effective mentor to many young professionals throughout his career. In his current role as CEO of the Ian Potter Cultural Trust and The Ian Potter Foundation, he is greatly enjoying working closely with the arts sector to facilitate new opportunities for artists and arts workers.
Erica Green is founding director of the Anne & Gordon Samstag Museum of Art, established in 2007 at the University of South Australia, Adelaide. As director of the Samstag Museum of Art, she is responsible for commissioning and developing the Museum’s exhibitions and public programs, including the biennial moving image commissions with the Adelaide Film Festival since 2009.
Hannah Presley is currently curator of Indigenous art, National Gallery of Victoria. Presley was the inaugural Yalingwa curator at Australian Centre for Contemporary Art and was First Nations Assistant Curator for Tracey Moffatt at the 57th Venice Biennale, working alongside curator, Natalie King.
Special Advisor to the Judging Panel
Lady [Primrose] Potter AC is a Trustee of The Ian Potter Cultural Trust. She is a passionate supporter of the Arts and has held a long list of offices with major arts institutions, including Patron of the Australian Centre for Contemporary Art, Director of The Ian Potter Museum of Art at Melbourne University, Honorary Life Member of the National Gallery Victoria and was Founding Benefactor of the Museum of Contemporary Art. Lady Potter is also patron and an active member of several leading performing arts companies and community welfare organisations.
Daniel von Sturmer's practice involves a range of media and approaches including video, photography and installation. In 2007 he represented Australia at the 52nd Venice Biennale. He has also exhibited at numerous public venues including the Australian Centre for Contemporary Art, Melbourne; Auckland Art Gallery, New Zealand; Museum of Contemporary Art, San Diego; The Gothenburg Museum of Art, Sweden; and the Hamburger Bahnhoff Museum, Berlin. He is Associate Dean (Education) at Monash Art, Design and Architecture.